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A beefed-up version of Northfield Workshop’s F5 mandolin, the NFB-F5E Big Mon features a larger body size with larger f-holes for more mids, bigger bass, and increased overall volume. This model has a solid Engelmann spruce top and solid figured Northeastern red maple back, sides, and neck. These beautiful tonewoods are complemented by an impressive hybrid finish of hand-rubbed spirit varnish with a very thin lacquer topcoat for protection.
The exact appearance of this item may vary.
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- Solid Engelmann Spruce top
- Solid Figured Northeastern Red Maple back, sides and neck
- 2 Tone bar bracing
- Top-quality hand-rubbed spirit varnish finish and violin varnish neck with very thin lacquer topcoat for protection
- Traditional neck shape with a very soft "V" against the palm and comfortable C-shaped shoulders
- 1-1/8" nut width (available with 1-3/16" nut, inquire)
- Radiused ebony fingerboard with genuine mother-of-pearl dot position markers
- Scalloped fingerboard extension
- ~14” scale length
- Traditionally shaped ebony bridge, hand-shaped to match the compound radius of the fingerboard and hand-fit to each mandolin
- Ivoroid binding on the body, fingerboard and peghead
- Gotoh Deluxe tuners
- Bound tortoise pickguard
- Genuine mother of pearl peghead inlay and logo design
- Gilchrist/Northfield tailpiece (as of late 2020)
- Handmade by experienced, skilled craftsmen in a small, employee-owned workshop in Asia; carefully inspected and set-up in the USA
- Hardshell case included
Northfield Workshop NFB-F5E Master Model "Big Mon" Mandolin, Engelmann Top
Northfield Workshop NFB-F5E Master Model "Big Mon" Mandolin, Engelmann Top
SKU: NF5M-BM1
A beefed-up version of Northfield Workshop’s F5 mandolin, the NFB-F5E Big Mon features a larger body size with larger f-holes for more mids, bigger bass, and increased overall volume. This model has a solid Engelmann spruce top and solid figured Northeastern red maple back, sides, and neck. These beautiful tonewoods are complemented by an impressive hybrid finish of hand-rubbed spirit varnish with a very thin lacquer topcoat for protection.
More Details
More Details
- Solid Engelmann Spruce top
- Solid Figured Northeastern Red Maple back, sides and neck
- 2 Tone bar bracing
- Top-quality hand-rubbed spirit varnish finish and violin varnish neck with very thin lacquer topcoat for protection
- Traditional neck shape with a very soft "V" against the palm and comfortable C-shaped shoulders
- 1-1/8" nut width (available with 1-3/16" nut, inquire)
- Radiused ebony fingerboard with genuine mother-of-pearl dot position markers
- Scalloped fingerboard extension
- ~14” scale length
- Traditionally shaped ebony bridge, hand-shaped to match the compound radius of the fingerboard and hand-fit to each mandolin
- Ivoroid binding on the body, fingerboard and peghead
- Gotoh Deluxe tuners
- Bound tortoise pickguard
- Genuine mother of pearl peghead inlay and logo design
- Gilchrist/Northfield tailpiece (as of late 2020)
- Handmade by experienced, skilled craftsmen in a small, employee-owned workshop in Asia; carefully inspected and set-up in the USA
- Hardshell case included