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Book with online audio. A teaching manual, resource guide, and biographical tribute to master percussionist Michel Merhej Baklouk. Explore the role that percussion plays in Near Eastern Arabic music by learning about his life and methodology. This book is composed of three parts: an introduction, lessons, and a reference section. Each part is designed for percussionists of varying skill levels. The introduction presents several essays about Baklouk's life, philosophy and practices. Lessons begin with basic techniques and how to practice effectively, continuing
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Acknowledgments
Preface
PART 1 - INTRODUCTION
About This Book
Biography
Pedagogy
Musical Styling
Context and Relationship
Ornamentation in Practice
PART II - LESSONS
Hand Positions for the Riqq
Position 1 - Basic Position
Playing Dumm-s in the Basic PositionPosition 2 – Classical Position (On the Frame)
Playing Takk-s in the Basic Position
Playing Dumm-s in the Classical Position
Playing Takk-s in the Classical Position
How To Practice.
Unit 1 - Basic Technique Building
Basic Technique Exercises in 4/4 Time
Dumm-s and Takk-sBasic Technique Exercises in 2/4 Time
Rests
Sixteenth Notes
Basic Technique Exercises in 3/4 Time
Accented Notes
Alternating Fingering for the Dumm
Rolls
Roll Exercises in 4/4
Time
Roll Exercises in 2/4 Time
Roll Exercises in 3/4 Time
Grace Notes and Triplets
Unit 2 - Popular Arabic Rhythms
Popular Arabic Rhythms in 2/4 Time
Wahda Saghira (or Maqsum)Popular Arabic Rhythms in 4/4 Time
Wahda Sha‘biyya
Masmudi Saghir (or Baladi)
Zaffa
Sudasi
Ayyub
Wahda Shami (or Malfuf)
Darwish al-Misri
Wahda al-Qasa’idPopular Arabic Rhythms in 8/4 Time
Wahda Kabira
Ciftitelli (or Wahda Mijwizah or Double Wahda)
Masmudi Kabir
Zaffa
al-Bamb al-Misri
Katakufti
From the Scrapbook
Unit 3 - Outside Influences
Non-Traditional and Western Rhythms in 2/4 Time
Mambo Saghir (or Karachi)Non-Traditional and Western Rhythms in 4/4 Time
Rhumba Saghira
Rhumba KabiraNon-Traditional and Western Rhythms in 8/4 Time
Mambo Kabir ( or Bolero)
Muthallath ‘Iraqi
BatayhiNon-Traditional and Western Rhythms in 10/16 Time
JurjunaUnit 4 - Muwashshahat and Classical Rhythms
Muwashshahat and Classical Rhythms in 3/8 TimeUnit 5 - Long Rhythms of the Muwashshahat
Saraband (or Attayir)Muwashshahat and Classical Rhythms in 5/4 Time
A‘rajMuwashshahat and Classical Rhythms in 5/8 Time
A‘rajMuwashshahat and Classical Rhythms in 6/4 Time
Sama‘i SankinMuwashshahat and Classical Rhythms in 6/8 Time
UgrukMuwashshahat and Classical Rhythms in 7/4 Time
Sama‘i Darij
NawakhtMuwashshahat and Classical Rhythms in 7/8 Time
Dawr HindiMuwashshahat and Classical Rhythms in 9/4 Time
Agher AqsaqMuwashshahat and Classical Rhythms in 9/8 Time
AqsaqMuwashshahat and Classical Rhythms in 10/8 Time
Sama‘i Thaqil
Long Rhythms of Muwashshahat in 11/4 Time
‘AwisLong Rhythms of Muwashshahat in 11/8 Time
‘Awis (fast)Long Rhythms of Muwashshahat in 12/4 Time
MudawwarLong Rhythms of Muwashshahat in 13/4 Time
MurabbaLong Rhythms of Muwashshahat in 13/8 Time
ThurafatLong Rhythms of Muwashshahat in 14/4 Time
MuhajjarLong Rhythms of Muwashshahat in 16/4 Time
al-MukhammasLong Rhythms of Muwashshahat in 17/8 Time
Nawakht Hindi
KhawsharnakLong Rhythms of Muwashshahat in 19/8 Time
AwfarLong Rhythms of Muwashshahat in 32/4 Time
Awfar Ribat
al-Sita ‘Ashra RibaatPART III - REFERENCE INFORMATION
Basic Music Theory and Notation for Percussionists
Glossary of Arabic Music Terms
List of Arabic Music Rhythms
Classical Riqq Technique
Classical Riqq Technique
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Book with online audio. A teaching manual, resource guide, and biographical tribute to master percussionist Michel Merhej Baklouk. Explore the role that percussion plays in Near Eastern Arabic music by learning about his life and methodology. This book is composed of three parts: an introduction, lessons, and a reference section. Each part is designed for percussionists of varying skill levels. The introduction presents several essays about Baklouk's life, philosophy and practices. Lessons begin with basic techniques and how to practice effectively, continuing
More Details
More Details
More Details
Acknowledgments
Preface
PART 1 - INTRODUCTION
About This Book
Biography
Pedagogy
Musical Styling
Context and Relationship
Ornamentation in Practice
PART II - LESSONS
Hand Positions for the Riqq
Position 1 - Basic Position
Playing Dumm-s in the Basic PositionPosition 2 – Classical Position (On the Frame)
Playing Takk-s in the Basic Position
Playing Dumm-s in the Classical Position
Playing Takk-s in the Classical Position
How To Practice.
Unit 1 - Basic Technique Building
Basic Technique Exercises in 4/4 Time
Dumm-s and Takk-sBasic Technique Exercises in 2/4 Time
Rests
Sixteenth Notes
Basic Technique Exercises in 3/4 Time
Accented Notes
Alternating Fingering for the Dumm
Rolls
Roll Exercises in 4/4
Time
Roll Exercises in 2/4 Time
Roll Exercises in 3/4 Time
Grace Notes and Triplets
Unit 2 - Popular Arabic Rhythms
Popular Arabic Rhythms in 2/4 Time
Wahda Saghira (or Maqsum)Popular Arabic Rhythms in 4/4 Time
Wahda Sha‘biyya
Masmudi Saghir (or Baladi)
Zaffa
Sudasi
Ayyub
Wahda Shami (or Malfuf)
Darwish al-Misri
Wahda al-Qasa’idPopular Arabic Rhythms in 8/4 Time
Wahda Kabira
Ciftitelli (or Wahda Mijwizah or Double Wahda)
Masmudi Kabir
Zaffa
al-Bamb al-Misri
Katakufti
From the Scrapbook
Unit 3 - Outside Influences
Non-Traditional and Western Rhythms in 2/4 Time
Mambo Saghir (or Karachi)Non-Traditional and Western Rhythms in 4/4 Time
Rhumba Saghira
Rhumba KabiraNon-Traditional and Western Rhythms in 8/4 Time
Mambo Kabir ( or Bolero)
Muthallath ‘Iraqi
BatayhiNon-Traditional and Western Rhythms in 10/16 Time
JurjunaUnit 4 - Muwashshahat and Classical Rhythms
Muwashshahat and Classical Rhythms in 3/8 TimeUnit 5 - Long Rhythms of the Muwashshahat
Saraband (or Attayir)Muwashshahat and Classical Rhythms in 5/4 Time
A‘rajMuwashshahat and Classical Rhythms in 5/8 Time
A‘rajMuwashshahat and Classical Rhythms in 6/4 Time
Sama‘i SankinMuwashshahat and Classical Rhythms in 6/8 Time
UgrukMuwashshahat and Classical Rhythms in 7/4 Time
Sama‘i Darij
NawakhtMuwashshahat and Classical Rhythms in 7/8 Time
Dawr HindiMuwashshahat and Classical Rhythms in 9/4 Time
Agher AqsaqMuwashshahat and Classical Rhythms in 9/8 Time
AqsaqMuwashshahat and Classical Rhythms in 10/8 Time
Sama‘i Thaqil
Long Rhythms of Muwashshahat in 11/4 Time
‘AwisLong Rhythms of Muwashshahat in 11/8 Time
‘Awis (fast)Long Rhythms of Muwashshahat in 12/4 Time
MudawwarLong Rhythms of Muwashshahat in 13/4 Time
MurabbaLong Rhythms of Muwashshahat in 13/8 Time
ThurafatLong Rhythms of Muwashshahat in 14/4 Time
MuhajjarLong Rhythms of Muwashshahat in 16/4 Time
al-MukhammasLong Rhythms of Muwashshahat in 17/8 Time
Nawakht Hindi
KhawsharnakLong Rhythms of Muwashshahat in 19/8 Time
AwfarLong Rhythms of Muwashshahat in 32/4 Time
Awfar Ribat
al-Sita ‘Ashra RibaatPART III - REFERENCE INFORMATION
Basic Music Theory and Notation for Percussionists
Glossary of Arabic Music Terms
List of Arabic Music Rhythms