EC-, gloss natural finish, rounded cutaway, Selmer "New Jazz Model" copy, solid spruce top, solid rosewood back and sides, 14 fret mahogany neck, rosewood-bound 21 fret ebony fingerboard, zero fret, 1-13/16" nut width, 26-1/2" scale, fixed ebony bridge, small oval soundhole, fancy tailpiece with rosewood insert, rosewood-bound body with w-b-w-b top purfling and w-b side and back purfling, gold tuners, handcrafted in the USA by John Kinnard, nice sound, on consignment, with OHSC (wine red lining) (SN:0103753)
45U-1618
$1,900.00
EASTMAN AR-910CE (recent)
14 Photos
EC except 1 repaired side crack, natural finish, double bound 17-1/4" body, single cutaway, carved spruce top, maple sides, (carved) back and (3-piece) neck, bound ebony fretboard, block inlays, 22 frets, adjustable ebony bridge, ebony tailpiece, floating pickup and volume control mounted on bound ebony pickguard, bound headstock features overlay with logo, Schaller tuners with ebony buttons, attractive maple binding throughout, gold hardware adds to the look, quality instrument built in China, 1-11/16" nut, 24-3/4" scale, with nice HSC, on consignment (SN:5804)
45U-1604
$2,100.00
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EASTMAN AR805CE (2004)
14 Photos
EC, antique violin finish, double bound 16" body, single cutaway, carved spruce top, bound f holes, maple sides, (carved) back and (3-piece) neck, bound ebony fretboard, side dot markers, 22 frets, adjustable ebony bridge, ebony tailpiece cover, bound headstock overlay with logo, Eastman logo tuners with stairstep metal buttons, floating pickup with volume control mounted on (bound) ebony pickguard, gold hardware, fine instrument built in China, 1-3/4" nut, 25" scale, with HSC (burgundy lining) (SN:88)
45U-1629
$1,450.00
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EPIPHONE ZENITH (1944)
14 Photos
EC, entire instrument oversprayed (clean job), double bound 16-1/2" body, sunburst finish on spruce top, f-holes, dark natural finish on walnut back and sides, mahogany neck, rosewood fretboard, dot markers, 20 frets, trapeze tailpiece, adjustable wood bridge, large white pickguard, headstock overlay features logo and shield inlays, (period) open gear tuners installed, sold AS-IS (needs fret work, strings, minor set up, etc.), 1-11/16" nut, 25-1/2" scale, with OHSC (SN:19842)
45U-1630
$795.00
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GARVEY ARCHTOP CLASSIC (2003)
14 Photos
EC-, 17" lower bout cherry sunburst finish, carved spruce top, flamed maple sides, carved back and 14-fret neck, cream-bound 21-fret ebony fingerboard, pearl block inlays, 1-3/4" nut width, 25" scale, ebony bridge and tailpiece, cream-bound body, f-holes and peghead, b-w-b pickguard, ebony peghead overlay with pearl urn-like inlay, gold Gotoh tuners, handcrafted in USA by Thomas Garvey, signed and dated by the builder 04/03, with arched-lid HSC (blue lining) (SN:5)
45U-1532
$1,600.00
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GIBSON L-10 (1933)
14 Photos
VGC, 16" lower bout, black finish (upper part of top along bass side has been touched up and oversprayed), Adirondack spruce top, f-holes, maple back and sides, tone bar braced, white-bound Brazilian rosewood fretboard with pearl dot inlays, adjustable ebony bridge, trapeze tailpiece, pearl script "Gibson" headstock inlay, open back Grover tuners with butterbean buttons, chrome hardware, missing pickguard, 24-3/4" scale, 1-3/4" nut width, sounds good, with recent Guardian HSC (green lining) (SN:89901)
45U-1612
$2,850.00
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GIBSON L-50 (c.1935)
13 Photos
VGC+ except loose back and 1 open back crack, double bound 16" body, sunburst finish on solid spruce top, f-holes, tone-bar bracing, dark natural finish on maple sides and (flat) maple back, V-shaped 14 fret mahogany neck, rosewood fretboard, dot inlays, 19 frets, top of adjustable rosewood bridge is missing, trapeze tailpiece, headstock overlay features script logo inlay, open gear open-gear tuners, disentigrating pickguard is included (in case), sold AS-IS (needs glue loose back and back braces, address back crack, new bridge, fret work, strings, set up, etc.), 1-3/4" nut, 24-3/4" scale, with SSC (SN:273A-20)
45U-1536
$1,585.00
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GIBSON L-50 (c.1935)
11 Photos
VGC, black finish, double bound 16-1/4" body, solid spruce top, f-holes, tone-bar bracing, maple sides and flat maple back, V-shaped 14-fret mahogany neck, rosewood fretboard, dot inlays, 19 frets, adjustable rosewood bridge, trapeze tailpiece, long firestripe pickguard, headstock features silkscreened script logo, 3-on-a-plate open gear tuners, 1-3/4" nut, 24-3/4" scale, with gigbag, on consignment (SN:248 A2)
45U-1605
$2,000.00
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GIBSON L-JR (1924)
13 Photos
EC- with some pick wear on top near soundhole and a few minor scuffs, sheraton brown finish, 13-7/8" lower bout, carved spruce top, round soundhole with black binding, maple sides and back with some quilt figure in back, body joins mahogany neck at 13th fret, Brazilian rosewood fingerboard with pearl dot inlays, 19 frets, tapered peghead with black painted face and no logo, 3-on-a-plate tuners with ivoroid buttons, maple bridge, metal trapeze tailpiece, previous owner painted "Hayford - Buffalo, Wyo" in black on inside of back near round black and white label, made in Kalamazoo, 1-3/4" nut width, ~24-3/4" scale, on consignment, with OHSC (teal green lining) (SN:77577)
45U-1624
$1,500.00
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GIBSON STYLE U HARP GUITAR (c.1906)
21 Photos
VGC except needs some work (adjust turnbuckle, level fretboard, refret, setup, etc. - sold AS-IS), 21" lower bout, black finished arched spruce top, natural finish walnut sides and arched back (one repaired back crack), white-bound top and oval soundhole, 2 rope pattern soundhole rings with white center ring, cherry guitar neck (some wear on back of neck), white-bound 20 fret fingerboard with dot inlays, slanted "The Gibson" script inlay on headstock, 3-on-a-plate tuners with ivoroid buttons, mahogany bass neck with 10 sub-bass strings, fixed Brazilian rosewood bridge, nickel plated metal strap tailpiece (stamped "The Gibson"), early style lyre label with photo of Orville Gibson, 1-11/16" nut, 25-3/4" scale, on consignment, with non-original (but very nice) oblong HSC (blue lining) (SN:8282)
45U-1550
$7,500.00
| Please call or email for shipping options on this oversized item.
GIBSON STYLE U HARP GUITAR (early 1906)
22 Photos
VGC except needs some work (replace turnbuckle, level fretboard, refret, needs strings and 4 bridge pins, setup, etc. - sold AS-IS), 21" lower bout, black finished arched spruce top (added top brace in front of bridge), natural finish walnut sides and arched back, a few repaired top and back cracks, white-bound top and oval soundhole, 2 rope pattern soundhole rings with pearl center ring, walnut guitar neck (headstock repaired and front and back veneers added and neck refinished), white-bound 20 fret ebony fingerboard with varied inlay pattern, 3-on-a-plate tuners with ivoroid buttons, mahogany bass neck with 12 sub-bass strings, fixed Brazilian rosewood bridge (cut down), nickel plated metal strap tailpiece, early style lyre label with photo of Orville Gibson, 1-11/16" nut, 27-1/4" scale, on consignment, with nylon covered hard foam case (SN:4145)
45U-1549
$7,500.00
| Please call or email for shipping options on this oversized item.
GIBSON SUPER L-5 (1935)
23 Photos
VG-EC, now believed to be the 3rd lowest recorded serial number of a Super 400 (entered into Gibsons ledgers April 1935), this is the earliest that is known at this time, the label says "Deluxe" at the top and "L-5" for the model, truss rod cover is engraved "Super L-5", very fine example of the Super 400, with sunburst finish body and neck, 18" lower bout, ~24-7/8" scale length, 1-3/4" nut width, 6-ply w-b-bound X-braced carved spruce top with w-b-w-bound f-holes, 5-ply w-b-bound mottled plastic pickguard, adjustable ebony bridge (no inlays in the base, but seems original), engraved tailpiece with 3 cutouts (original - later production models were engraved "Super 400"), w-b-w-bound curly maple back, b-w purflings on maple sides, curly maple neck (with black centerstripe), heavily engraved riveted Grover open back tuners with butterbean buttons, w-b-w-bound ebony fretboard with split pearl block inlays, 5-ply w-b-bound headstock with pearl script "Gibson" logo and large 5-piece pearl inlay in center, deco-shaped black truss rod cover with white border and white strip diagonally through center engraved "Super L-5", one minor repaired crack in top near bass f-hole, appears to be all original. This is an extraordinary instrument for both its excellent tone and it being among the earliest known examples of the Super 400 (and the special appointments and the latest research lead us to believe this was one of the very first of this model ever made), also was featured on the great-instruments-showcase "Tone Poems II", by Martin Taylor and David Grisman on track 6 "Anything Goes", on consignment, with '50's Gibson HSC (brown with pink lining and says "CLARENCE PETRIE on the outside), price reduced (SN:91809)
45U-1072
$35,000.00
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JACQUES FAVINO PETITE BOUCHE (1982)
18 Photos
VGC+ except several repaired top cracks, top repair at lower edge of treble bout and plugged jack hole on treble side, Selmer style guitar, slightly arched spruce top with "Petite Bouche" (small oval) soundhole, laminated Brazilian rosewood back and sides, 14-fret maple neck, 21-fret ebony fingerboard (recent refret by our shop), zero fret, pearl dot inlays, 1-11/16" nut width, 26-1/4" scale, ebony bridge, brass "DR" tailpiece, clear plastic pickguard, rosewood bound body, engraved nickel tuners with pearloid buttons replace originals, entire instrument has been oversprayed, built in Paris by Jean Pierre Favino (Jacques' son who took over building after his father's retirement in 1978), on consignment, with arched-lid HSC. Gypsy Jazz guitar great John Jorgenson says "This is a great lead guitar." - price reduced (SN:859)
45U-1389
$6,165.00
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JEAN PIERRE FAVINO GRANDE BOUCHE (1990)
14 Photos
VG-EC except repaired top crack, high grade Selmer copy built in France, double bound 16-1/2" body, cutaway, (slightly arched) spruce top, Maccaferri style bracing, "Grand Bouche" (large D soundhole), multi-ring wood rosette, rosewood back and sides, 2-piece mahogany neck, ebony fretboard, zero fret, dot inlays, 25 frets (25th on treble side extension), Selmer style tailpiece, newer (compensated) rosewood bridge, slotted headstock, 3-on-a-plate DR tuners installed, nice full sound, built in France by JP Favino who took over his father Jacques' guitar business c.1980, this was one of the last instruments built at his Paris shop and was delivered to the original owner on 2/17/90, 1-15/16" nut, 26-1/4" scale, with HSC, Gypsy Jazz guitar great John Jorgenson says "This is a great rhythm guitar." Price reduced (SN:1024)
45U-1446
$4,750.00
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MARTIN R-18 (1937)
12 Photos
VGC, 14-3/8" lower bout, sunburst finish, arched spruce top with f-holes (a few repaired top cracks), mahogany back and sides, tortoise plastic-bound body with i-b-i-b top purfling, 14 fret mahogany neck, 20 fret Brazilian rosewood fingerboard with dot inlays, Brazilian rosewood headstock overlay with logo decal, open-gear Waverly tuners with Oval metal buttons (original Grovers in gigbag), adjustable rosewood bridge, Grover "PAT. APPLIED FOR" trapeze tailpiece with "MARTIN" stamped on hinge plate, missing pickguard, 1-3/4" nut, 24.9" scale, on consignment, gigbag (SN:65391)
45U-1617
$2,000.00
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RECORDING KING M-5 (1939)
13 Photos
EC-, double bound ~17" body, sunburst finish, arched spruce top, f-holes, flamed maple sides and (arched) back, 5 piece maple / rosewood neck, bound rosewood fretboard, pearl diamond inlays, 19 frets, original 4 bar trapeze tailpiece, adjustable rosewood bridge with pearl diamonds inlaid in each side of the base, sculpted headstock has rosewood overlay with a crown, logo block, diamond and model designation in pearl individual inlays, 6 open gear tuners with metal buttons, large bound fire-stripe plastic pickguard, built by Gibson for sale by Montgomery Wards, similar to the Gibson L-7 model, date stamped inside body "Oct. 1939," 1-3/4" nut, ~24-3/4" scale, good sound, rare bird, with arched-lid OHSC (wine red lining, handle could use replacement but is original and tape covered), price reduced (SN:EW-1577)
45U-1400
$1,950.00
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RIBBECKE HALFLING JAZZ (2009)
13 Photos
EC except for several belt-buckle dings on back, amber-burst nitrocellulose lacquer finish, 17" wide body with highly flamed maple back and sides, Sitka spruce top, 5 piece neck with backstrap and ebony peghead overlay, black-bound top, back, neck, headstock and soundhole, ebony fretboard with side dots only, ebony tailpiece, adjustable bridge and pickguard / fingerrest, Kent Armstrong floating pickup, 25" scale, 1.75" neck width bone nut, gold Grover Rotomatic tuners with tulip shaped metal buttons, good sound!!! with arched-lid HSC (burgundy lining) (SN:1127)
45U-1538
$5,550.00
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TACOMA® AJF28CE5SB (1999)
14 Photos
EC except finish on headstock overlay is bubbling, sunburst finish, double bound 16-7/8" body, soft cutaway, carved spruce top, offset soundhole, maple sides and (carved) back, bolt-on maple neck, bound ebony fretboard, offset dot inlays, 21 frets, ebony tailpiece and bridge, EMG Hi-Z pickup and controls mounted on black plastic pickguard, headstock overlay features logo, modern tuners, 1-11/16" nut, 25-1/2" scale, with OHSC (SN:D2885010)
45U-1625
$1,685.00
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